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They earned their letters, instead, through their songs.
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“High school graduates” would not be among their titles: Work demands forced the girls to drop out. Anderson was “the tall one.” Cowart had the curiously Hispanic name, which had changed from Wyanetta to Juanita. For example, Horton was the girlishly raspy lead. Individual members entered the mass consciousness. The Marvelettes, meanwhile, became Motown’s first multi-female phenomenon, before the Del-Phis-turned-Vandellas and the “no-hit” Supremes. It was enough to seize the company’s first #1 pop ranking in 1961 and to make it soften the R&B on future records. She left before she even got to record her work.īut the song gave the other girls, new fifth voice Wanda Young, and Motown the boost they needed: As for the Miracles’ “ Shop Around,” the public snapped up over a million copies of the feminized Marvelettes’ “ Please Mr. Brianbert ironed it further.Įither parental concerns or maternal illness prevented Dobbins from joining Motown with the rest of the group. Postman” from friend and songwriter William Garrett and upped the pop quotient. But Dobbins borrowed the bluesy “ Please Mr. That could have been daunting for some singing novices.
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Still, the producers wanted one more thing from the teens: their own song. In the spring of 1961, the Marvels’ Chantels-y, Shirelles-ean audition impressed Brian Holland and Robert Bateman (aka Brianbert). But their original name, the Casinyets, squared with their good-natured modesty. They’d entered the contest as the Marvels. “ Gee!” (or just “ G!“) would have been an appropriate reaction from Georgiana Tillman, Georgia Dobbins, Gladys Horton, Katherine Anderson, and Wyanetta Cowart. But according to one version of events, its teacher coaxed both the principal to make an exception and a Berry Gordy cohort to give the girls a listen. One quintet, formed in 1960, just missed those spots. One year, its high school held a talent contest whose three highest winners would audition at Motown. But Inkster, Michigan was not ignorant of the rumblings from Detroit. It was a classic scenario: Country girls making good in the big city.